![]() You may need some time to figure out how the SENSO touch-sensitive interface works. Omnia - a timeless design keeping pace with modern time Of course, this is only speculation, but Paolo would certainly try this. I suspect that Paolo Tezzon has tried to incorporate the "anima" (the sound block) as if it were a violin body, using the tuned vibration to contribute positively to the sound. Shine on you crazy diamond.Īt high volumes, the upper wooden panel vibrates slightly. With the cheap plastic remote control, you can also turn the brightness down or off. Three horizontal white light bars (only the lower one is temporarily activated when the volume fluctuates) provide the first light show for the opening. The magnificently crafted, multi-layered walnut veneered top plate (also available in satin black graphite) immediately identifies the Omnia as part of Sonus faber's noble heritage. ![]() On the back, in an almost inaccessible spot, we find the input panel with connections for power, HDMI ARC, LAN /Ethernet, a six-pin mini DIN for the dongle and a phono/line switch.the magnificently crafted, multi-layered walnut veneered top plate (also available in satin black graphite) immediately identifies the Omnia as part of Sonus faber's noble heritage.Ĭrescent-shaped grilles cover the ends, where DSP -controlled 1.75-inch-wide pulp dome sidefiring units form the Crescendo system that virtually expands the soundstage, replacing the SF16's motorised, retractable wings. The subwoofer is a 6.5-inch long excursion aluminium cone woofer that fires into a wave dispersion cone lens. #Veni vidi vici english drivers#Its front and rear are wrapped in a rough black fabric that hides the drivers: two 3-inch paper cone midrange drivers and two 0.75-inch silk dome tweeters with neodymium motor systems. Omnia is a much simpler affair, but no less beautiful and powerful. However, the prohibitive price of €10 000 and the limited production led to a relative commercial fiasco, even if it was another artistic and technical success for the Livio Cucuzza/Paolo Tezzon team. The SF16's voluminous, curved cabinet and motorised, retractable wings, inspired by the original Snail made quite a stir among the hi-fi press, which had gathered for the occasion at a luxury resort in Sardinia. #Veni vidi vici english full#I was at the SF16 world presentation in 2016 (see the full report here). Omnia is the affordable version of the outrageously beautiful SF16. ![]() Original Sonus faber SF16 - first world presentation, Sardinia 2016 ![]() #Veni vidi vici english tv#Omnia is a modern, wireless all-in-one system that can also be used as a versatile TV soundbar (HDMI ARC) and looks and sounds better than any of its competitors, despite costing only €1 799.00. Omnia thus appeals to every self-respected modern woman while seducing aspiring male audiophiles, just as Cleopatra seduced Ceasar, whose motto - Veni, vidi, vici - also applies to Omnia, as it is a newcomer and clear winner. Seven speakers powered by 480W of Class D power and extensive streaming capabilities meet the needs of today's environmentally conscious consumer. Omnia has the flowing lines of a Nile ship, the exotic interior style influenced by Egyptian and Byzantine art, also present in Italian culture since the Renaissance, and that mysterious aura of seductive feminine beauty, the welcome suggestion of lasting power and universal versatility of streaming that shapes the future. Could Cleopatra's barge have been the inspiration for Livio Cucuzza's Omnia? Does Omnia have an 'anima' like a violin? JVH speculates about art and technology while listening to Omnia. ![]()
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